Feng Xiao-Min’s artworks presented at the Shanghai ART021 Contemporary Art Fair

This year, Opera Gallery is presenting a selection of  highly-praised modern and contemporary artists’ works to the community of Shanghai in ART021 Contemporary with a cross-cultural and engaging experience during November 7th-10th, featuring 3 significant Chinese-French painters Zao Wou-Ki, Chu Teh-Chun and Feng Xiao-Min, who will showcase the fusion of abstract aesthetics and Chinese philosophy under the oriental perspective.

ART021
Shanghai Contemporary Art Fair
Booth E11
Date: 7-10 November, 2019
Place: Shanghai Exhibition Center

To learn more about it:

https://mp.weixin.qq.com/s/sedW20YivVC5RyyQEqf9ww
https://mp.weixin.qq.com/s/fVY9hlEjWloQg-9bkw24Gg

 

Opera Gallery | Feng Xiao-Min’s Interview

You will find below the full content of the Feng Xiao-Min’s interview :
https://mp.weixin.qq.com/operagallery/fengxiaomin

Feng Xiao-Min new artworks will be unveiled in November ART021 Shanghai Contemporary Art Fair.

His artworks are currently also being exhibited at the Taipei International Art Fair (ART TAIPEI) and in the joint exhibition “Abstraction Athwart Worlds: Ties Between Modern Worlds” at Opera Gallery Hong-Kong, featuring the artworks of Zao Wou-Ki, Chu Teh-Chun, Pierre Soulages, Hans Hartung, and Jean-Paul Riopelle.

Opera Gallery presents Feng’s artworks at Art Taipei 2019

Opera Gallery presents Feng Xiao-Min’s artworks at the International Taipei Art Fair (Art Taipei), alongside with Fernando Botero, Bernard Buffet, Marc Chagall and other artists’ works of art.

More information:
https://mp.weixin.qq.com/arttaipei/operagallery

ART TAIPEI
台北国际艺术博览会
Place: Booth F04 & Y07
Date:October 18 - October 21 2019
Location:Taipei World Trade Center

Opera Gallery Hong Kong | “Abstraction Athwart Worlds: Ties Between Modern Worlds” joint exhibition has opened

Opera Gallery Hong Kong is currently holding a joint exhibition “Abstraction Athwart Worlds: Ties Between Modern Worlds”, including the artworks of well-known French-Chinese artists Zao Wou-Ki, Chu Teh-Chun, Feng Xiao-Min, and Western abstract art master Pierre Soulages. The outstanding creations of Hans Hartung and Jean-Paul Riopelle complete it and bring a thrilling, refreshing cross-cultural art scene.

Opera Gallery | Hong Kong
W Place, 52 Wyndham Street, Central, Hong Kong
Abstraction Athwart Worlds: 
Ties Between Modern Worlds
Zao Wou-Ki | Chu Teh-Chun | Feng Xiao-Min
Pierre Soulages | Hans Hartung | Jean-Paul Riopelle
Exhibition date: October 3 - October 24, 2019

More information:
https://mp.weixin.qq.com/s/cXlv4lTJ4v5FAxfrcgyj8A

Shanghai Daily Newspaper retraces Feng Xiao-Min’s artistic journey

From Jiangnan to Paris an artist’s journey:

In recent years, Chinese artist Feng Xiaomin has acquired a reputation on the global art scene, following in the steps of two other big-name Chinese artists, Zao Wou-ki (1921-2013) and Chu Teh-Chun (1920-2014).

In 1948, Zao went to Paris, and seven years later, Chu arrived in the city. Like his two predecessors, Feng also left China and settled down in Paris in 1988. Today Feng’s art is distinctively placed at luxury hotels, such as the Langham, Shanghai, Xintiandi and the Sukhothai Shanghai, in the heart of the city’s business and entertainment district.

His solo-exhibition early this year at the Opera Gallery in Hong Kong received high acclaim. Founded in Paris in 1994 by Gilles Dyan, the Opera Gallery is one of the leading international dealers of contemporary art with 13 branches around the world.

Last month, Feng came back from Paris to Shanghai for a short stay in the city where he was born and bred.

“In fact, I met both Zao and Chu in Paris,” Feng said with a smile. “Yet we seldom talked about art but chatted like longlost friends. Perhaps we all agree art is not something to be taught.”

Born in 1959 in Shanghai, Feng, the youngest of three, grew up in a wealthy family of intellectuals. His grandfather was a noted banker.  “So my mother was quite strict with us,” Feng recalled. “She was particularly keen on our manners including table manners or how to receive a visitor to our family.”

At the age of 6, he began to learn Chinese calligraphy. He later became an ink wash painter, achieving a certain amount of fame in the early 1980s.

However the 20-year-old at that time wanted to see the bigger world outside and tried his luck on Paris. He studied at the Ecole Nationale Superieure des Beaux-Arts in Paris, abandoning the medium of ink for oil and acrylic colors.

Color became the soul in his paintings from then on. Although Feng attributes the color palette in his painting to the influence of European Impressionists who use color distinctively in their oil paintings, he says some of his inspiration indeed comes from the Jiangnan region of China — the area south of the lower
reaches of the Yangtze.

His work captures its foggy atmosphere during the sunset and at dawn and dusk. Feng also says that his painting owes much to his roots, particularly in the field of calligraphy.

His work is not pure abstract, but rather “paysagisme abstrait,” meaning abstract landscape, a term employed by Michel Ragon, when referring to Zao. Tufts of wild grasses, beds of sparse undergrowth, wandering paths, scrubby trees, deserted beaches, blue or overcast skies, unidentifiable structures, distant gates, summery impressions, and misty winter morning… all recalling past memories of escape or contemplation. “Vacancy, stillness, placidity, tastelessness, quietude, silence, and doing-nothing are the root of all things,” he explains.

Opera Gallery presents Feng Xiao-Min’s artworks at Art Central (Hong-Kong)

Stepping into the 5th session of Art Central, Opera Gallery will continue to present contemporary art from all over the world. The exhibition will include works by French-Chinese contemporary artist Feng Xiao-Min.

Feng Xiaomin’s works combine the aesthetics of Eastern art with the techniques of the Western one. His paintings show a dreamy scene with a vibrant atmosphere. His work is not inspired by specific objects or specific locations, but focuses on creating a strong overall visual effect with different color combinations and compositional layouts.

Art Central exhibition information:
Exhibition date: March 27th – March 31st
Venue: Booth E07, Central, Hong Kong
Opening hours: 11 am to 7 pm

More information:
https://mp.weixin.qq.com/s/V_Z4zPBwYPLAG_e8cTgyCQ

Why artist Feng Xiao-Min’s paintings don’t have titles

Chinese-born French artist Feng Xiao-Min no longer gives his paintings titles, believing that naming his work prevents viewers from making up their own minds.

“I used to name paintings as soon as I finished. But several years ago, I realised people would explain my paintings to me based on the titles: their own imaginations were blocked,” he says.

“Inspired Resonance”, Feng’s first solo exhibition in Hong Kong, is an opportunity to sit and ponder 27 of his artworks, 20 of which have not previously been seen in public. The largely abstract natural landscapes created with vivid lashes of colour chart the artist’s career since the early 2000s and his transition from paper to canvas.

“Before, I could throw the work away easily, but now I keep it and, through finding solutions, I can get good surprises”
Feng Xiao-Min

As if to validate Feng’s wish, 8.8.18, a dreamlike piece rendered in sunlit shades of ochre, sand and amber, was interpreted by onlookers at the exhibition’s launch as showing a beach at low tide; others saw a shimmering desert or sailing boats. Some form of water, a favourite theme of Feng’s, features in almost every artwork.

To add an extra sensory dimension to the experience, viewers are invited to wear headphones playing music by British-South Korean pianist Yiruma and a poem about nature by a woman who felt inspired after attending Feng’s exhibition last year in Shanghai. The audio element is designed to replicate the state of mind in which Feng likes to work.

a man wearing a suit and tie© Provided by South China Morning Post Publishers Limited

Born in Shanghai, Feng has lived and worked in Paris since studying at the École nationale supérieure des beaux-arts in the late-1980s, and is credited with shaping the French capital’s contemporary art scene through the blending of French and Chinese styles and influences.

Although the artist gained a reputation in his younger years for being a mercurial perfectionist, prone to finding fault with and, subsequently, even sabotaging pieces that had already been sold, the 60-year-old says these days he is more willing to set a painting to one side and revisit it later.

“When I paint, I imagine it will go one way, but often I encounter difficulties. Before, I could throw the work away easily, but now I keep it and, through finding solutions, I can get good surprises.”

“Inspired Resonance” will be shown at Opera Gallery, W Place, 52 Wyndham Street, Central until February 28.

Lauren James

This article originally appeared on the South China Morning Post (SCMP)

Copyright (c) 2019. South China Morning Post Publishers Ltd. All rights reserved.

Source: https://www.msn.com/zh-hk/news/other/why-artist-feng-xiao-mins-paintings-dont-have-titles/ar-BBTbJYz

Feng Xiao-Min: Inspired Resonance – Opera Gallery Presents Feng Xiao-Min’s Hong Kong Solo Exhibition

Opera Gallery, located on Wyndham Street, will host Feng Xiao-Min’s first Hong Kong solo exhibition from 18 January – 28 February 2019.  A new collection entitled ‘Inspired Resonance’ by the French-Chinese contemporary artist showcases colourful and meditative abstract landscape-inspired works.

The exhibition features a total of 27 of Feng’s large scale ethereal paintings dating from 2013 – 2018, set aside specially for the Opera Gallery exhibition with 20 of these pieces never seen before.

After studying fine art in China and spending 30 years in France, Feng’s work celebrates the fusion of Eastern aesthetics and Western techniques depicting his visions of landscapes from dusk to dawn.

No specific subject or location inspires Feng; instead he focuses on the powerful visual effect produced by the blending of colour and the spatial configuration of the whole image.

Taking inspiration from his training in traditional Chinese calligraphy, Feng uses acrylic on canvas and skilfully mimics the Chinese aesthetic of ink on paper, often being known to paint on the floor to control acrylic and water flow.

As part of the Opera Gallery showcase, Feng will exhibit an artwork honouring his peer Zao Wou-Ki. Feng and Zao, along with artist Chu Teh-Chu, have been instrumental to the French-Chinese art movement in Paris and assure a continuity of monumental colourful abstract works by Eastern artists on the French art scene.

Creatively blending the spiritual landscapes of the East, and the romantic colours of the West in their paintings, these artists have expanded the language of painting to show the Western world the creativity and excellence of Chinese artists and their origins.

Following his fine art studies in China, Feng enrolled in the prestigious École Nationale Supérieure des Beaux-Arts de Paris (National School of Fine Arts of Paris) and later taught at the same esteemed institute from 1997 to 2000. It was after this that Feng focused entirely on his own creations.

Feng was commissioned to produce an artwork for the 2017 BRICS Summit – the international relations conference – of which China is a member. Today, his artworks are frequently exhibited at international art fairs and biennales as well as displayed in various private and public collections, including galleries, museums and foundations around the globe.

Inspired Resonance’ by Feng Xiao-Min

  • Exhibition dates: 18 January – 28 February, 2019
  • Opera Gallery, W Place, 52 Wyndham Street, Central, Hong Kong
  • Monday – Saturday: 10:00am-7:00pm | Sunday and Pubic Holidays: 12:00am-6:00pm

More details about the exhibition: